Capturing supernatural beings who inhabit our world
2009 Painting, Acrylic with silver leaf on wood panel, 803x1303mm
As for this work which can be called the collected studies of "Tsukumogami parade of night" , an animism -like view of the world is produced with a form called the tradition as well as a relation with the present age. I drew the modern version of the "Tsukumogami parade of night".
付喪神夜行図ー『神々の行進』
2009木製パネル・銀箔・アクリル 31.61x51.3 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Terminus of Waste ”
2009 Painting, Acrylic with gold leaf on wood panel, 1167x727mm
The disposal of disposal of waste come to the front with time and facilities become obsolete affects a shadow of production, production, the distribution. When I visited the unmanned station closed by new transportation, I bought the thing which came out of production and was able to see a room. I express the future of the prosperity of the human through Tsukumogami.
付喪神夜行図ー『廃退の終着』
2009木製パネル・金箔・アクリル 45.94x28.62 in ( M50号)
YOKAI Tsukumogami (God of Ecology) -“ Demand Growth ”
2009 Painting, Acrylic with gold leaf on wood panel, 500x727mm
The convenience store is the most imminent retail store where supply and demand coexist. A lot of ways which serve as corporate social responsibility by working on an environmental problem exist there. Responsibility will exist to us who are the connection with natural environments to spread through one shopping bag from there and consumption side.
付喪神夜行図ー『需給の増殖』
2009木製パネル・金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Unlimited Recycling ”
2009 Painting, Acrylic with silver leaf on wood panel, 530x333mm
"Unlimited Recycling" means that it does not have the limit spaciously.There is the infinite recycling system that we cannot do the imagination to the vending machine standing out anywhere. For "Tsukumogami" told "The old tools change to a god after a long time", it may be the speed to turn around of eyes.
付喪神夜行図ー『無辺の再生』
2009木製パネル・銀箔・アクリル 20.87x13.11 in ( M10号)
YOKAI Tsukumogami (God of Ecology) -“ Breakthrough Distribution ”
2009 Painting, Acrylic with gold leaf on wood panel,, 333x530mm
It is taken effect "the Kyoto Protocol" on February 16, 2005, and restraint of outbreak such as much waste is demanded from production and the circulation. The continuous improvement for environmental conservation will mean the present business form while planning a company and symbiosis with nature.
付喪神夜行図ー『流通の躍進(蟹・浅沓・猿女・琴)』
2009木製パネル・金箔・アクリル 13.11x20.87 in ( M10号)
YOKAI Tsukumogami (God of Ecology) -“ Production Outcome ”
2009 Painting, Acrylic with silver leaf on wood panel, 455x273mm
There is my atelier in the anchorage of the wharf where the ruins became. In this place that felt the future of the prosperity, it was not reflection of the human in the place that measured a relation with environment in the future, and this work was born. Tsukumogami seems to be puzzled in the place to go.
付喪神夜行図ー『生産の帰趣』
2009木製パネル・銀箔・アクリル 17.91x10.75 in ( M8号)
YOKAI Tsukumogami (God of Ecology) -“ Endless Production ”
2009 Painting, Acrylic with gold leaf on wood panel, 455x273mm
A means of conveyance and the communications media which are continued making without a limit. It may be said that the act that only convenience of the life was given priority to over symbolizes present Japan. It is wrestled the new invention including the interest with recycling and the environment of resources there. I express it under the theme of the formation of the required recycling society from now on.
付喪神夜行図ー『無限の生産』
2009木製パネル・金箔・アクリル 17.91x10.75 in ( M8号)
YOKAI Tsukumogami (God of Ecology) -“ Year 1000 Landscape ”
2009 Painting, Acrylic with silver leaf on wood panel,727x500mm
A parent of the modern nuclear family has much working together. It may be said that it is the lifestyle that reflected now to see parent and child playing in a late-night park. A park playground equipment transferred in the site of the Shinto shrine will be one of the conclusions of the use of land. I still describe a soul to live together of Japanese people in the domain of God without changing in old days through Tsukumogami.
付喪神夜行図ー『千年の風景』
2009木製パネル・銀箔・アクリル 28.62x19.69 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Supply Chain ”
2009 Painting, Acrylic with gold leaf on wood panel, 530x333mm
The public energy (electricity, water, gas) comes to be essential to life and opens a huge network. The water which comes out commonly if I turn a faucet. There is it under the theme of a relation with the imminent environment showing from our life.
付喪神夜行図ー『供給の連鎖』
2009木製パネル・金箔・アクリル 20.87x13.11 in ( M10号)
2009 Painting, Acrylic with gold leaf on wood panel,, 333x530mm
It is taken effect "the Kyoto Protocol" on February 16, 2005, and restraint of outbreak such as much waste is demanded from production and the circulation. The continuous improvement for environmental conservation will mean the present business form while planning a company and symbiosis with nature.
付喪神夜行図ー『流通の躍進(扇・琵琶・浅沓・蟹)』
2009木製パネル・金箔・アクリル 13.11x20.87 in ( M10号)
YOKAI Tsukumogami (God of Ecology) -“ Gods Banquet ”
2009 Painting, Acrylic with silver leaf on wood panel, 803×1303mm
付喪神夜行図ー『神々の祝宴』
2009木製パネル・銀箔・アクリル 31.61×51.3 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Demand Growth ”
2010 Painting, Acrylic with gold leaf on wood panel, 500×727mm
付喪神夜行図ー『需給の増殖（笙・浅沓・蓋・犀・野箆坊）』
2010木製パネル・古金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Demand Growth ”
2010 Painting, Acrylic with silver leaf on wood panel, 500×727mm
付喪神夜行図ー『需給の増殖（青鬼・鳴釜・傘・野箆坊）』
2010木製パネル・銀箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Nopperabou Collections ”
2011 Painting, Acrylic with gold leaf on wood panel, 1455×515mm
This is the experimental work which I brought a past motif into. I destroyed one's world and gathered one's world again and space-saving exhibited it as greedy "collection" of Nopperabou once. In this work which is idle with a color, the origin of the writer and the keyword of the view of the world to demand from now on appear and disappear. The first heteromorphic work was born in this way.
付喪神夜行図ー『野箆坊コレクション』
2011木製パネル・和金箔・アクリル 57.28×20.28 in (変形)
YOKAI Tsukumogami (God of Ecology) -“ The Standard Style of Rest ”
2010 Painting, Acrylic with gold leaf on wood panel, 500×727mm
付喪神夜行図ー『休息の標準（小鈴・蟹・琴・扇）』
2010木製パネル・金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Production Outcome ”
2010 Painting, Acrylic with gold leaf on wood panel, 1455×2273mm
付喪神夜行図ー『神々の祭典』
2010木製パネル・和金箔・アクリル 57.28×89.49 in ( M150号)
YOKAI Tsukumogami (God of Ecology) -“ Alarm Bell on Warming ”
2010 Painting, Acrylic with silver leaf on wood panel, 500×727mm
付喪神夜行図ー『温暖化の警鐘』
2010木製パネル・銀箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Demand Shape ”
2010 Painting, Acrylic with gold leaf on wood panel, 803×1303mm
付喪神夜行図ー『需給の形状』
2010木製パネル・和金箔・アクリル 31.61×51.3 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Yokai Rickshaw ”
2011 Painting, Acrylic with gold leaf on wood panel, 333×530mm
It was ecological velotaxi that the barrel shop which lived in Kansai of Japan looked in urban Tokyo, and was unforgettable. I intended to just draw simple beauty. For 2011 years, it is "the International Year of the Forest" which the United Nations establishes. Various actions are expected in each place led by the Forestry Agency in Japan. I put logo as reputation casually. It seems to be a year like Tsukumogami.
付喪神夜行図ー『妖怪力車』
2011木製パネル・和金箔・アクリル 13.11x20.87 in ( M10号)
YOKAI Tsukumogami (God of Ecology) -“ Public bath meeting ”
2011 Painting, Acrylic with gold leaf on wood panel, 1303×803mm
The motif is "the public bath which most use". As for the number, there was the shop which boiled hot water using firewood when a barrel person went to see public baths in Osaka Japan though it was decreasing. Because people had a heated chat around a well in the old days, it was named "Public bath meeting". Both a person and the ghosts seem to gather in the place with "water" in all ages. How will this great earthquake disaster be talked about to such ghosts as expected?
付喪神夜行図ー『銭湯端会議』
2011木製パネル・和金箔・アクリル 51.3×31.61 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Gods First Campaign ”
2011 Painting, Acrylic with gold leaf on wood panel, 1455×2273mm
The motif is "the forklift" that "the service station" of the global company produces exhaust gas. Many themes such as the total summary of the environmental conservation are included, but ghosts of 付喪神 come over to the terrestrial world in the 21st century when they overflowed with food, fuel, a thing "only for taking the field!" and are the ingenuousness that seems to go into mischief. There is the person of Ronald McDonald's 似 toward the corner, but it is what or does a pose thinking about something whether you can see ghosts. Because it was this private exhibition and was the biggest size, I pursued the world where gold leaf of TARUYA and a richly colored extremity reached.
付喪神夜行図ー『神々の初陣式』
2011木製パネル・和金箔・アクリル 57.28×89.49 in ( M150号)
YOKAI Tsukumogami (God of Ecology) -“ Transition Petrosa ”
2011 Painting, Acrylic with gold leaf on wood panel, 803×1303mm
I looked in the warehouse of the secret of ghosts under the ground. I hide in daily life, and the door lies hidden and it is dangerous, but is extensive like the cone of the pyramid like a pit when among them. YOKAI stock a thing with the worry disappearing with the change of the times from a thing of "the present of the Heisei" carefully from "the latter period of the Showa era". It is one scene where an apparition of a living person dwells in to a thing used for a long time.
付喪神夜行図ー『変遷の錐体』
2011木製パネル・和金箔・アクリル 31.61x51.3 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Plastic Model of Fuel ”
2011 Painting, Acrylic with gold leaf on wood panel, 803×1303mm
I thought about an environmental problem in the modern car society with a plastic model like a reduced drawing. Popular name "Gunpla" means the plastic model of the famous "Gundam robot" in Japan. Because it was a plastic model of Tsukumogami, I named "TSUKUPLA". The part of the frame is called a runner, but the letter written to a runner is a kind of "the fuel", and it is regular super diesel, kerosene and "electricity". "Zero emission" means the project of the 100% electric car which Nissan works on. Because I did not pollute air when I drew this, "electricity was good most in environment" or thought, "there is only electricity" as measures to the drying up problem of oil resources of the earth, but "the electricity myth" to depend on nuclear fuel for in now threatened by the radiation leak of the Fukushima nuclear power generation made a sound and collapsed and left. It is a work thinking about now of the environment that a human being has easily made.
付喪神夜行図ー『ツクプラ燃料図』
2011木製パネル・古金箔・アクリル 31.61x51.3 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Brand of Sweetness ”
2011 Painting, Acrylic with silver leaf on wood panel, 1303×803mm
I arranged the branch of the festival developed on a vehicle-free promenade. The Japanese culture for "a festival" is expressed through a ghost. In any place and times, invisible much God exists. It is the exclusive machine which the device of the lower right heats a pebble with propane gas, and roasts a chestnut. It is soft and is sweet and a delicious chestnut is burnt by "a far infrared rays effect". Telephone poles appear for my painting well, but have a meaning "every day".
付喪神夜行図ー『甘さの烙印』
2011木製パネル・銀箔・アクリル 51.3×31.61 in ( M60号)
YOKAI Tsukumogami (God of Ecology) -“ Invisible War ”
2011 Painting, Acrylic with gold leaf on wood panel, 500×727mm
The Japanese who makes a line with an appearance and the spread of mobile communication society and smartphones. The electric wave of the cell-phone flying like YOKAI not to see to eyes of the human unpolished structure in large quantities in the various places. The times called the mobile communication society threaten the sphere of life of the YOKAI, and The Monkey and the Crab is the scenery that the invisible battle of a ghost and the electric wave which do not become seems to begin at any moment.
付喪神夜行図ー『不可視合戦図』
2011木製パネル・和金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Cloth Parade ”
2011 Painting, Acrylic with gold leaf on wood panel, 500×727mm
Globalization, mass consumption, the mass reuse, Japanese sale culture, job shortages of the brand low-priced from a department store to a large road surface shop. The value of the kimono which is idle in a Japanese chest for approximately 40 trillion yen is so. I will be not able even to start it to recycling because of the valuable property which not only the memory of the charges of the grandmother is jam-packed to a kimono, but also a craftsman puts great deal of effort and made. In that respect, the cheap clothes mass-produced by automation are ideal for eco-activity called the reuse, but are the scenery that there does not seem to be in a breathing space either for ghosts of the cloth.
付喪神夜行図ー『万国布行進図』
2011木製パネル・和金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Battlefield of Woman ”
2011 Painting, Acrylic with gold leaf on wood panel, 500×727mm
The society which works of smuggling, restructuring, the woman of the illegal article including the tourist visa relaxation, gun for business rebuilding, Chinese of Japan Airlines. Japan Airlines was a pronoun of the companies where I wanted to find a job, and cabin crew was the first of the longed-for occupation of the female college student once. Not only JAL but also the company on behalf of Japan where such believers gather also does a severe fight for survival. It is the scenery that I showed that women who survived a battlefield called the restructuring hard have Japan and the future of the rehabilitation.
付喪神夜行図ー『姫達の戦場図』
2011木製パネル・和金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ The Crest of Apple Family ”
2011 Painting, Acrylic with gold leaf on wood panel, 500×727mm
The spread of tablet computers・Pioneer of the global net society・Change to cloud computing・An enthusiastic enthusiast. The trust and the thing to fear were family coats of arms(家紋Kamon) the old days, the Japanese common people. The family coat of arms was added to a flag and arms as a mark to distinguish an enemy viewpoint only as a symbol of family's social standing, the social position in the battlefield. A family coat of arms of the samurai family is a thing belonging to a person, but the thing that the Heisei common people trust it and are excited at is scenery changing into the brand logo that is the symbol of the thing.
付喪神夜行図ー『林檎家の家紋』
2011木製パネル・和金箔・アクリル 519.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Half Asleep and Hafl Awake ”
2011 Painting, Acrylic with gold leaf on wood panel, 500×727mm
The overseas advance of connection, the eating out chain store with fast food food culture, foot-and-mouth disease, the game society. As American McDonald's went into the world; world ramen, belt-conveyor sushi, the Japanese public eating out chain store including the bowl; is the times of the foreign countries branch rush to become smart. In Japan equal to if "the YOKAI walks fast food shop" jump so as to ask it, and to be broken, and greedy ghosts whom there is not of the self-control eat too much it, and is full, and is the everyday scenery that is "Half Asleep and Hafl Awake".
■付喪神夜行図ー『夢うつつ』
2011木製パネル・和金箔・アクリル 19.69x28.62 in ( M20号)
YOKAI Tsukumogami (God of Ecology) -“ Money Circulation ”
2011 Painting, Acrylic with gold leaf on wood panel, 500×727mm
Chain of the bank merger・Consumer credit society・Electronic money・Norovirus. Because a person lives even if it is the times of the convenient cashless so much, it does not still change in old days that money is necessary either. Consumer financing firm is in the affiliation group of the bank, and the company handling money is an interdependent relation. It is scenery to symbolize strictness of the Japanese economy.
付喪神夜行図ー『天下の貨幣図』
2011木製パネル・和金箔・アクリル 19.69x28.62 in( M20号)
YOKAI Tsukumogami (God of Ecology) -“ benitobi ”
2012 Painting, Acrylic with pearl powder on wood panel, 9.57x16.1 in
YOKAI Tsukumogami (God of Ecology) -“ touou ”
2012 Painting, Acrylic with pearl powder on wood panel, 9.57x16.1 in
YOKAI Tsukumogami (God of Ecology) -“ rokushouiro ”
2012 Painting, Acrylic with pearl powder on wood panel, 8.27x11.42 in
YOKAI Tsukumogami (God of Ecology) -“ zougeiro ”
2012 Painting, Acrylic with pearl powder on wood panel, 8.27x11.42 in
YOKAI Tsukumogami (God of Ecology) -“ kuwanomiiro ”
2012 Painting, Acrylic with pearl powder on wood panel, 8.27x11.42 in
